The last of the original inventory
Original wartime silkscreens by the Group of Seven and Canada’s greatest artists.
Hand-pulled oil silkscreens produced by Sampson-Matthews Limited between 1942 and 1963, each authenticated by A.J. Casson — the last surviving member of the Group of Seven. One of a kind, and the very last pieces from the original collection.
Selected works
All works →Algoma Country
Lawren Harris · 1947
From $5,900
Mist Fantasy
J.E.H. MacDonald · 1943
From $4,900
Isles of Spruce
Arthur Lismer · 1943
From $5,500
West Bay Fault, Yellowknife
A.Y. Jackson · 1947–1953
From $4,900
Maple and Birch
A.Y. Jackson · 1947–1953
From $4,500
Dease Bay, Great Bear Lake
A.Y. Jackson · 1947–1953
From $4,500
The Sampson-Matthews Collection
Under the guidance and supervision of Group of Seven members A.J. Casson and A.Y. Jackson, the most renowned Canadian artists came together during World War II to create a unique war effort art project. At the Government of Canada’s request and in collaboration with the National Gallery of Canada, some of these artists’ best and most inspirational works were selected and meticulously reproduced as oil silkscreens by Sampson-Matthews Limited, Canada’s leading colour printing production firm in the mid-twentieth century. These works were originally produced for the Canadian troops abroad who used them to decorate their barracks, ships, hospitals and mess halls, to boost morale, and to remind them of their homeland and what they were fighting for. At the same time and during the decades after the war, these works were also hung in schools, libraries, banks, government offices, embassies, consulates and corporate offices throughout Canada and abroad. Today they are widely recognized for their defining contribution to the way Canadians view their nation. They reinforced the Group of Seven’s motherhood role in the history of Canadian art and popularized the imagery of landscape as the primary Canadian visual motif.